THESE SHOWS ARE SOLD OUT – Friday November 8, Saturday November 9, and Saturday November 16 at 7:30 PM. Jeans, at 150 East 76th Street in New York City. Read the rave review of Manhattan School of Musics production in February, 2021 of The Mystery of Edwin Drood by creator Rupert Holmes, who calls it a triumph. Performances November 8-16, 2019 at The Theatre at St. Joyce Throttle, Stage Manager – Shannon Barr ![]() ![]() As was usual for Dickens, the novel was written and published in serial installments Dickens died after completing only six of the projected twelve installments, leaving the novel incomplete and the mystery unresolved. Cedric Moncrieffe / Reverend Crisparkle – Neal Young* The winner of five Tony Awards, including Best Musical, Drood is set on Londons rustic, yet regal, stage of The Music Hall. The Mystery of Edwin Drood is Charles Dickenss last novel. Victor Grinstead / Neville Landless – David Pasteelnick Miss Janet Conover / Helena Landless – Capron Levine Miss Deirdre Peregrine / Rosa Bud – Lauren Cupples* Miss Alice Nutting / Edwin Drood – Brady Lynch Miss Angela Prysock / Princess Puffer – Suzanne R. Clive Paget / John Jasper – Paul Mitchell Wilder SPECIAL EVENT – the November 9th performance will be followed by a talk back with author Rupert Holmes! Musical numbers include “Perfect Strangers,” “Don’t Quit While You’re Ahead,” “Off To The Races” and “Moonfall.” Fun and interactive – the audience will vote on important parts of the ending, so each performance is completely different from the others! The tale is presented as a show-within-a-show, as the Music Hall Royale – a delightfully loony Victorian theatre company – presents Dickens’ brooding mystery. Peter trained in, and proudly hails from, Queensland, Australia.Based on Charles Dickens’ final unfinished novel, this hilarious whodunit invites the audience to solve its mystery by choosing the identity of the murderer. Engeman Theatre) Into the Woods (Cinderella’s Prince/Wolf, Utah Shakespeare Festival) Thoroughly Modern Millie (Graydon, Tuacahn Amphitheatre). Regional: Hair (Berger, Sacramento Music Circus) Mamma Mia! (Sam, Marriott Lincolnshire Theatre) Death Takes A Holiday (Death/Sirki, Arvada Center) Beauty and the Beast (Gaston, Ogunquit Playhouse/Sacramento Music Circus/North Carolina Theatre) Sense and Sensibility (Willoughby, Chicago Shakespeare Theatre/Old Globe) Oklahoma! (Jud, Paramount Theatre) Carmen (Don Jose, Tectonic) 1776 (Rutledge, John W. Off-Broadway: Skin Tight (Tom, OYL Theatre Company) Death for Five Voices (Fabrizio, Prospect). But by whom His leering romantic rival, John. Other favorites: Gaudio in Jersey Boys (Las Vegas) and the Prince in Rodgers + Hammerstein’s Cinderella (opposite Lea Salonga, international tour). In the small town of Chesterham, England, the young and charming Edwin Drood has been mysteriously murdered. ![]() Peter Saide* (John Jasper) is thrilled to be making his Riverside debut! He joins the company directly from a critically acclaimed run as Sheriff Green in the Off-Broadway hit, Desperate Measures. Film and television credits include: Alpha House, City Hall, Double Parked and “Bye, Bye Birdie,” “Law and Order Criminal Intent,” “Sex And The City,” and “The Job.” Sally also appears on countless cast recordings and has five solo albums, The Dorothy Fields Songbook, Our Private World: The Comden And Green Songbook, The Story Hour, Boys And Girls Like You And Me, And Valentine. Sally starred in several Off-Broadway productions including Closer Than Ever (Outer Critics Circle nomination), Das Barbecue, Pete N’ Keely (Drama Desk nomination for Outstanding Actress in a Musical), Play It Cool, Good Ol’ Girls, and The Best Is Yet To Come. She drew raves as Mae West in the National Tour of Dirty Blonde and also appeared in the Broadway revival of Steel Magnolias. Sally appeared as Aunt Corene in Urban Cowboy (Drama Desk nomination). On Broadway, Sally is perhaps best known for her performance in the Roundabout Theater revival of She Loves Me, for which she won Tony, Drama Desk and Outer Critics Circle nominations. Her performance won critical praise along with a Theater World Award and Outer Critics Circle nomination as one of Broadway's Outstanding Newcomers. ![]() Sally Mayes* (Princess Puffer) The New York Times calls her “incandescent, deliciously saucy.” People Magazine describes her as “the kind of rich theatrical voice that elevates a show tune.” And Time Magazine says, “Sally Mayes renders songs as richly nuanced as one-act plays.” Sally made her Broadway debut in Cy Coleman’s Welcome To The Club.
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